Plank
Road Folk Music
Society
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Welcome
to 5th Saturday
Workshops!
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Two
Way Street and Plank
Road kick off new
workshop series with
guitarist and singer Lee
Murdock.
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5th
Saturdays are
back! An
extra Saturday in a
month comes around only
a few times a year, so
Two Way Street Coffee
House, in partnership
with Plank Road, decided
to commemorate each one
with a special event —
workshops featuring
well-known Chicago-area
artists.
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The
inaugural workshop
featuring Lee
Murdock
was held March 30 at Two
Way Street — and was
well attended, both
in-person and online via
Zoom. The workshop was
designed for those
looking for a new
approach toward the
guitar, and covered how
the guitar can adapt to
the musical traditions
from Ireland, Scotland
and Wales.
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Murdock
provided detailed
handouts and instructed
the group on how to
interpret tablature
notation for fingerstyle
guitar, teaching the
group several
traditional Celtic
tunes.
Dottie
Lee attended the
workshop, saying “There
was excellent
interaction between
attendees, including
those online, with many
good questions and
comments. After he
played each piece for us
and walked us through
some of the intricacies,
he gave us time to work
through the songs on our
own — then circulated
around and checked in
with each person,
answering questions and
giving tips on how to
approach the
challenges.”
Murdock
also focused on
alternate ways of tuning
the guitar,
right and left hand
techniques, as well as
voicing and phrasing.
At
various points
throughout the workshop
he performed some of his
unique arrangements.
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Watch
for more
workshops:
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--
Our next 5th Saturday
Workshop will be
June
29,
with Mark
Dvorak.
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August
Workshop
—TBD.
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November
Workshop
— “Songwriting” with
Jenny Bienemann.
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The
admission charge
includes the choice of
virtual or in-person
attendance. Look
for additional details
and registration
information on the Plank
Road and Two Way Street
websites and Facebook
pages. Email updates
will also be sent to
Plank Road
Members.
Bob
O’Hanlon:
“I
think it’s great for
Plank Road members. Glad
it’s off to a good
start.”
Jim
Gilroy:
“The
explanation of how
tablature works and the
demonstration of
different tunings were
most beneficial.”
Dottie
Lee:
“Definitely a great
start to the new Fifth
Saturdays
program!”
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Thanks
to Dottie Lee for these
photos.
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Melanie
Melanie,
the
husky-voiced
singer
and
songwriter best
known
her No.
1
single, the
childlike “Brand
New
Key,”
died January
23. She
was
76.
She
was born
Melanie
Anne
Safka in
Queens
NY. Her
mother
was a
jazz
singer,
and
Melanie
turned
to music
at an
early
age,
making
her
public
singing
appearance
on a
talent
show at
age 4.
By the
time she
was in
high
school
she was
already
singing
in local
coffee
houses,
and
eventually
in New
York
clubs
while
studying
acting.
Only
22 and a
presence
on the
New York
folk
scene
when she
appeared
at Woodstock in
1969. She
was one
of only
two
women
who
performed
unaccompanied
at the
festival
(Joan
Baez was
the
other).
It
started
to rain
before
she took
the
stage,
and she
would
later
say that
the
sight of
people
in the
crowd
lighting
candles
inspired
her to
write “Lay
Down
(Candles
in the
Rain),” which
she
recorded
with
gospel-style
backing
from the
Edwin
Hawkins
Singers.
Released
in 1970,
it
became
her
first
hit,
reaching
No. 6 on
the
Billboard
Hot
100.
Melanie’s
biggest hit, “Brand New
Key,” was,
according
to her,
just
“some
silly
song”
she was
“playing
around
with.”
Fortunately,
her
producer
husband
said,
“No
Melanie,
that’s a
hit!”
He
was not
wrong—
the song
was No.
1 on the
Billboard
Hot 100
for 3
weeks in
1971.
But not
everything
about
the song
was
rainbow
happy.
“Brand
New
Key,”
includes
the
line “I’m
OK
alone,
but
you’ve
got
something
I need,”
and then
to some
listeners
took an
apparent
Freudian
or
drug-related
turn:
"Well,
I’ve got
a
brand-new
pair of
roller
skates,
you’ve got
a
brand-new
key
I
think
that we
should
get
together and
try them
on to
see."
“It
was a
time
when
people
were
reading
things
into
lyrics,
but I
was just
having a
romp
through
my
memory
of
learning
how to
ride my
bike and
roller
skating,
along
with the
thrill
of first
love."
Melanie
had a
number
of other
compositions,
including
“What
Have
They
Done to
My Song,
Ma,” but
none
reached
the
popularity
of her
two
earlier
hits.
She
continued
to
record
at a
prolific
pace,
even
into her
later
years.
She
seemed
weary of
her
famous
song
celebrating
roller
skates. “It
was the
song
that
doomed
me to be
cute for
the rest
of my
life.”
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Roni
Stoneman
“The
First
Lady of
Banjo,”
Veronica
Loretta
“Roni”
Stoneman,
died
February
22 at
age
85.
She
was born
in
Maryland,
just
outside
of
Washington
DC, the
second
youngest
of 23
children (are
you
kidding??).
Her
father,
pioneering
bluegrass
musician
Ernest
V. “Pop”
Stoneman,
formed a
family
band,
The
Bluegrass
Champs,
which
included
family
members
Scott
and
Donna
Stoneman,
and
later
evolved
into The
Stoneman
Family.
The
group
won a
competition
on Arthur
Godfrey’s
Talent
Scouts in
1956. By
the
1960s,
Roni had
joined
the
group on
banjo.
She also
performed
as part
of the
group on
their
syndicated
1960s
television
show Those
Stonemans.
Roni rose
to
prominence
alongside
her
father
and
siblings. They
earned
Billboard
Hot
Country
Singles
hits
including
“Tupelo
County
Jail”
and “The
Five
Little
Johnson
Girls.”
In 1967,
the
Stoneman
Family
was
named
vocal
group of
the year
by the
Country
Music
Association.
Roni
departed
the
group in
1971,
and soon
joined
the cast
of Hee
Haw,
working
on the
country
variety
program
for 18
years as
a banjo
player
and
comedian.
She
had many
career
triumphs,
despite
a string
of bad
marriages. With
her
sister
Donna
they
were the
first
women to
play
lead
instruments
in a
bluegrass
band
—Roni on
banjo,
and
Donna on
mandolin.
Throughout
their
career
they
continued
to find
resistance, first
as
"upstart
women"
in a
man’s
world of
bluegrass
music,
later as
octogenarians
stubbornly
refusing
to “act
their
age” and
quit
music —
even
though
she and
Donna
had
released
an
album, The
Legend
Continues in
2020,
and were
actively
performing
into
their
80s.
Roni
was
unfiltered
and
strongly
opinionated
—
considering
contemporary
country
music
“sissy”
and
modern
bluegrass
“prissy.”
Writer
Eddie
Dean, of
Washington
magazine,
wrote:
“Roni’s
passing
leaves
the
country
music
world
one step
closer
to the
assembly-line
auto-tuned
hellscape
of
modern-day
Nashville.
This
shallow,
dumbed-down
corporate
product
is alien
from the
homemade
music
made by
three
generations
of the
Stonemans,
who as
Roni
liked to
say,
didn’t
exactly
get rich
for
their
efforts.”
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Dickie
Betts
Guitarist
and
songwriter
Dickie
Betts,
of the
original
Allman
Brothers
Band,
died
April 18
at age
80.
Betts
really
was born
a
ramblin’
man: He
left
home at
16 to
join the
circus
and
became a
renowned
guitarist
touring
the
world
with the
Allman
Brothers.
He wrote
the
group’s
biggest
hit,
“Ramblin’
Man,”
and
remained
on the
road
until he
reached
the Rock
&
Roll
Hall of
Fame.
Betts
was
raised
in
Florida,
near
Highway
41, the
road he
sang
about in
“Ramblin’
Man.” He
developed
a
fondness
for
country,
bluegrass
and
Western
swing,
and
played
the
ukulele
and
banjo —
before
focusing
on the
electric
guitar,
“because
it
impressed
the
girls.”
The
Allman
Brothers
moved to
Macon,
Georgia,
and
released
a
self-titled
debut
album in
1969.
Betts
shared
lead
guitar
duties
with
Duane
Allman,
helping
give the
group
its
unique
sound
and
create a
new
genre,
known as
Southern
Rock.
The
band
blended
blues,
country,
R&B
and jazz
with
’60s
rock to
produce
a
distinct
sound
that
influenced
a host
of major
acts.
The
1971
double
album
At
Fillmore
East,
showcased
the
unique
guitar
interplay
and
contrasting
styles
between
Allman
and
Betts.
Their
1973
album,
Brothers
and
Sisters,
rose to
No. 1 on
the
charts
and
featured
“Ramblin’
Man,”
with
Betts
singing
the
lead.
His
composition
became a
classic-rock
standard.
Betts’
brilliant 7
½-minute
instrumental
composition
“Jessica,”
recorded
in 1972,
showed
his
knack
for
melodic
hooks
and
became
an FM
radio
staple.
Painstaking
in his
approach
to
songwriting,
he spent
two
months
composing
“Jessica,”
which
was
named
after
his
daughter.
Betts
also
wrote or
co-wrote
some of
the
Allmans’
other
best-loved
songs,
including
“Blue
Sky” and
“Southbound.”
Duane
Allman
died in
a
motorcycle
accident
in 1971,
leaving
Betts
and
Duane’s
younger
brother
Gregg,
as the
band’s
leaders.
But they
frequently
clashed,
and
substance
abuse
caused
further
dysfunction.
The band
broke up
and
reformed
several
times,
and has
had more
than a
dozen
lineups.
Betts
could
also be
moody
and
volatile.
His
drinking
led to
fights
with
band
members
and
missed
shows,
and he
was
arrested
for
clashing
with
police.
The
Allman
Brothers
Band was
inducted
into the
Rock
&
Roll
Hall of
Fame in
1995 and
earned a
Lifetime
Achievement
Grammy
Award in
2012.
Betts
left the
group
for good
in 2000,
and
continued
to play
with his
own
group,
and
lived in
the
Bradenton
FL area
with his
wife,
Donna.
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Toby
Keith
Toby
Keith,
the
country
music
superstar
behind
some of
the
biggest
hit
songs to
come out
of
Nashville,
died
February
5 after
battling
stomach
cancer.
He was
62.
A
major
country
star for
three
decades,
Keith
enjoyed
hits
such as
"Red
Solo
Cup,"
"How Do
You Like
Me
Now?!"
and
"Beer
For My
Horses,"
a duet
with
Willie
Nelson.
The
native
Oklahoman
grew up
in
Oklahoma
City,
working
in the
oil
fields
after
high
school
while
playing
music
with his
own
band.
Eventually,
music
became
Keith's
main
focus,
and he
caught
his big
break
when a
producer
heard
his demo
tape.
Keith's
breakout
hit,
"Should've
Been a
Cowboy,"
debuted
in 1993
and
would go
on to
become
the most
played
country
song of
the
decade,
with
more
than 3
million
plays on
the
radio.
He
went on
to
produce
many
more
hits,
including
the 2002
song
"Courtesy
of the
Red,
White
and Blue
(The
Angry
American),"
inspired
by the
9/11
attacks
as well
as the
death of
his
veteran
father.
While
polarizing,
the
unapologetically
patriotic
song
brought
Keith's
visibility
to a new
level.
The
song
famously
led to a
feud
between
Keith
and
Natalie
Maines
of the
Dixie
Chicks.
Maines,
known
for her
views
against
then
President
George
W. Bush
and the
war in
Iraq,
deemed
the song
"ignorant."
Among
Keith's
many
accolades,
the
Academy
of
Country
Music
named
him Male
Vocalist
of the
Year in
2001. He
was
awarded
Artist
of the
Decade
at the
American
Country
Awards
in 2011,
and was
inducted
into
the Songwriters
Hall of
Fame in
2015. In
2021,
Keith
received
the
National
Medal of
Arts.
During
his
career,
Keith
had 32
number
one
singles
and sold
over 40
million
albums. He
performed hundreds
of shows
for US
service
members
abroad, including
in
Afghanistan
and
Iraq, as
well as
events
for
three
Presidents.
When
offering
advice to
other
songwriters,
Keith
said
most of
his
catalog
was
created
while he
was
writing
at least
four to
five
days a
week.
“You
gotta
have
volume,
you
gotta
practice,
you
gotta
keep
your
chops
up, and
you
gotta
stay in
the
middle
of the
game.”
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Buddy
Holly – Part
2
.
. . the Early Years
(Charles Hardin
Holley)
By Andy
Malkewicz
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Buddy
was born in Lubbock,
Texas September 7,
1936. Early
on, Buddy learned violin
and piano, and soon
moved on to mandolin and
guitar. Except for one
brother, he was in a
very musical
family. His
first success was at the
age of 5, when he won
five whole dollars for
his singing rendition of
"Down the River of
Memories" at a talent
show.
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At
the age of 13, Holley
and Bob Montgomery met
at Junior High School in
Lubbock TX, and started
playing together as
Buddy & Bob at
school assemblies, and
on local radio KDAV.
Montgomery sang lead and
Holley harmonized. Soon
they had a weekly Sunday
show on KDAV, performing
country, bluegrass and
rockability.
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Buddy
playing Elvis Presley's
Martin Guitar.
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In
1955 Buddy opened for
Elvis Feb. 15 as Buddy
& Bob in which Elvis
loaned Buddy his Martin
guitar. Buddy was still
a senior in High School.
(They were at an Elvis
June 1955 gig, but I
could not confirm them
as an
act.) On Oct.
14, 1955, their band
("Western Bop" which
included bassist Larry
Welborn) opened for Bill
Haley & the Comets
(cheap local opening
act), and the next day
for Elvis at Lubbock's
Cotton
Club.
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Oct.
14 1955 was when Marty
Robbins' manager heard
them, then acquired demo
recordings, then got
them signed to Decca
Records in 1956. Their
career at Decca did not
go so well, as they
wanted to do rockabilly,
and the Decca management
wanted classic
C&W. Imagine
"That'll Be the Day"
(which they recorded at
Decca but was not
released) as an old time
country
song.
After
the band disbanded,
Buddy & Bob remained
friends, and they
co-wrote "Heartbeat,"
"Wishing," and "Love's
Made a Fool of
You." Bob
separately wrote the pop
standard "Misty Blue,"
and Patsy Cline's "Back
in Baby's Arms."
Montgomery died December
4, 2014.
It
should be noted that
only Buddy Holly was
signed to Decca. Unhappy
with Decca's control
over his recordings,
Holly & the Crickets
were drawn to Norman
Petty in Clovis, New
Mexico (about 100 miles
away). Unlike the big
companies, Petty charged
for studio time by the
song rather than by the
hour, and offered Holly
the freedom to create
the songs to their own
liking.
A
demo of "That'll Be the
Day" by the Crickets
omitting Holly's name
(to avoid Decca/Holly
contract infringement),
was sent to Brunswick
records (subsidiary of
Decca). Because of
his contacts within the
record industry, Petty
became the band's
manager.
Holly
was writing most of his
own songs including the
popular "Peggy Sue." An
interesting story goes
along with the title and
lyrics of this piece.
Holly originally wrote
the words as "Cindy Lou"
but Jerry Allison, a
member of the Crickets
was engaged to a girl
named Peggy Sue, and
thought his girlfriend's
name was more
suitable.
After
leaving Decca, Holly
returned to Lubbock, and
in Apr. 1956, with the
Crickets, opened once
more for
Elvis.
The
Beatles provide an
interesting sidenote in
that they named their
band in honor of the
Crickets. Another
sidenote is that
"That'll Be the Day" was
named in reference to a
John Wayne line, in his
movie, "The
Searchers."
And
so, Buddy gets married,
and moves to New
York. More
in a future
QuarterNotes.
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Buddy’s
leather-clad 1943/44
Gibson J-45
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Holly
tooled leather as a
hobby and created the
cover for this guitar
himself. The cover
features his name, his
home state of Texas, and
the titles of the A and
B
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side
songs from his 1956
debut single “Love Me”
and “Blue Days Black
Nights.”
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Photographed at the
Museum of Pop Culture,
Seattle.
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Stream
it NOW!
Listen
to music by Mark
Dvorak, George Mattson
Trio, Ashley &
Simpson,
and the Plank
Road String
Band,
plus tunes by other
Plank Road Members —
FREE on most streaming
sites.
Just look
for Down
the Old Plank Road
Volume 3. (Be
sure to enter the complete
title.)
*
Apple Music * iTunes *
Spotify
*
Pandora * Amazon
Music
*
YouTube Music *
Bandcamp
*
And
many others!
|
George
Mattson Trio
gmtrio.com
|
Mark
Dvorak
markdvorak.com
|
Tobias
Music
www.tobiasmusic.com
|
|
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During
a recent visit to the
Museum of Pop Culture
(MoPOP) in Seattle, we
came across this
gigantic “guitar
tornado” sculpture. It
includes nearly 700
instruments — every kind
of guitar imaginable,
plus dobros, ukuleles,
mandolins, banjos,
fiddles — and a few
keyboards, drums,
accordions . . . maybe
even a small wind
instrument or two (it’s
hard to tell). This
sculpture is stacked to
the ceiling of a
two-story exhibit
area.
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While
quite impressive, it was
somewhat disturbing to
see so many beautiful,
perfectly good
instruments thrown
together, relegated to a
life of silence. (At
least it was silent when
we were there.
Apparently there are
several computerized
self-playing guitars in
the tower that randomly
play various
tunes.)
Next
issue:
Some legendary guitars
from MoPOP.
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Andy's
Music
Trivia
Quiz
Thanks
for your
responses.
It was
pretty
competitive
between
Bill
Mathews
&
Fred
Spanuello.
Nice
incorrect
answer
on #7 by
Fred. I
didn't
know
Anthony
Newley
was so
active
musically.
But,
this
quarter
goes to
Bill M.
Thanks
again.
Answers
to
previous
Quiz:
Q1. Name
4 (or
more)
songs
that use
Onomatopoeia
in the
name of
the
song,
and the
artist
that
sang
it.
A1. Onomatopoeia
is a
word
that
sounds
like
what it
is or
does.
(1)
“Onomatopoeia”
by John
Prine; (2)
“Drip
Drop” by
Dion; (3)
“Beep
Beep” by
the
Playmates; (4)
“Splish
Splash”
by Bobby
Darin; (5)
“Bang
Bang” by
Sonny
&
Cher; (6)
“Click
Clack”
by Dicky
Doo
&
the
Donts; (7)
“Boom
Boom” by
John Lee
Hooker
(and
others,
eg:
Animals); (8)
“Knock
Knock
Knockin’
On
Heaven's
Door” by
Bob
Dylan; )9)
“Ka Ding
Dong” by
the
G-Clefs; (10)
“Whispering”
by
many; (11)”
Buzz
Buzz
Buzz” by
the
Hollywood
Flames;
(12)
“Wham”
by
Lonnie
Mack or
Stevie
Ray
Vaughn;
(13)
“Laugh
Laugh”
by Beau
Brummels;
(14)
“Zoom”
by the
Cadillacs;
(15)
“Crying”
by Roy
Orbison;
(16)
“Plop
Plop
Fizz
Fizz”
the Alka
Seltzer
commercial;
(17)
“Chug-a-lug”
by Roger
Miller;
(18)
“Pop a
Top” by
Jim Ed
Brown.
Q2. When
and by
who was
3 Dog
Night's
'"Black
and
White"
written?
A2. “Black
and
White”
was
written
by Earl
Robinson
(writer
of Joe
Hill)
and
David
Arkin
(Alan
Arkin's
father)
in 1955
in
celebration
of the
1954
supreme
Court
order,
banning
segregation.
Q3. What
famous
cowboy
song
collected
by Lomax
in 1910
remained
obscure
until it
was
perhaps
the most
popular
song of
1933. It’s
in our
C/W
songbook.
A3. The
wax
recording
of "Home
On the
Range"
was
collected
from the
proprietor
of a
dive in
the slum
section
of San
Antonio.
The wax
crumbled
with
age, but
the
Lomax
book
"Cowboy
Songs"
gained
in
popularity,
and
"Home on
the
Range"
was
discovered.
Bing
Crosby's
release
of the
song in
1933
peaked
at #18
on
BB.
Q4. in
1971, a
Billboard
100 song
that
went to
#3 was
like a
continuation
of a
verse
from
Woody
Guthrie's
"This
Land is
Your
Land." What
tune is
it?
A4. The
Five Man
Electrical
Band
took
"Signs"
to
#3. A
few
lines
are:
And
the sign
said
"anybody
caught
trespassin'
would be
shot on
sight"
So
I jumped
on the
fence
and I
yelled
at the
house
"Hey,
what
gives
you the
right?
To
put up a
fence to
keep me
out and
to keep
Mother
Nature
in.
Q5. What
hit song
did Paul
Anka
write
for Tom
Jones? For
Frank
Sinatra? What
was Paul
Anka's
1st
self-written
#1
song? How
about
one for
Buddy
Holly?
A5. Tom
Jones
took
“She's a
Lady” to
#2 in
1971.
Frank
Sinatra
took “My
Way” to
#27 in
1969.
Paul's
first
hit went
to #1 on
BB100;
#2 on
Cashbox;
#1, or
#2 in
several
other
countries,
when he
sang
'"Diana"
in 1957
at the
age of
16. "It
Don't
Matter
Anymore,"
was
recorded
by Buddy
Holly in
1958,
issued
in Jan
1959,
and
peaked
at #13
on BB100
on Feb
28,1959,
less
than a
month
after
his
death
(Feb 2).
Paul
Anka
donated
his
royalties
to
Buddy's
wife and
family.
Paul is
now 82
and
living
in
Canada.
Q6. What
Dion hit
features
a kazoo
as a
main
instrument?
A6. Dion
wrote
and took
"Little
Diane"
to #8 in
1962
using a
kazoo
for its
instrumental
breaks.
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Q7. What
#1 hit
did
Anthony
Newly
co-write?
A7. Sammy
Davis Jr
took
"Candy
Man" to
#1 in
1972.
Co-writers
were
Anthony
Newley
and L.
Bricusse.
They
also
wrote
"What
Kind of
Fool Am
I" which
Sammy
took to
#17 on
BB100 in
1962,
the year
it was
written.
Q8. Who
wrote
Dobie
Gray's
"Drift
Away"
and
why? What
other
hit did
Dobie
Gray
have?
A8. Mentor
Williams
(Paul
Williams'
brother)
wrote it
as an
ode to
his
failure
as a
songwriter.
On the
BillBoard100
“Drift
Away”
reached
#9 in
1973.
Dobie
Gray’s
other
hit, “The
In
Crowd,”
reached
#13 in
1965.
Q9. What
was
Frank
Sinatra's
1st paid
performance?
A9. Frank,
as a
member
of the
"Hoboken
4"
earned
$50
(12.50
each)
for a
winning
performance
on the
Major
Bowes
Amateur
Hour on
Sept 8,
1935.
The
Hoboken
4 were a
combination
of Frank
and a
trio
called
the 3
Flashes.
The
Hoboken
4 went
on a 7
month
Amateur
Hour
tour
during
which
Frank
did not
get
along
with the
other 3,
and they
occasionally
beat him
up. Also
in 1935,
he may
have
received
$100 for
a bit
part in
a movie,
'”The
Masked
Bandit." I
Don't
know
which
came
first,
assuming
they are
both
valid.
NEW
Trivia
Quiz:
Q1. When
and
where
was
Elvis
first
public
appearance?
Q2. NAME
THAT
TUNE! -
What
song
begins
with the
words
"When
the sun
beats
down,
and
melts?" Who
sang the
hit?
Q3. NAME
THAT
TUNE! -
What
song
begins
with the
words
"Where
the
Walker
runs
down
into the
Carson?"
Q4. What
did John
Lomax do
with his
first
collection
of
cowboy
songs,
western
songs,
and
other
ballads?
Trivia
Snipet: Jimmie
Rodgers
was
discovered
by a
pianist
while
playing
at a
café in
Vancouver,
Washington.
The
pianist
loaned
him
airfare
to
audition
for a
contract
with
Roulette
in New
York.
Roulette
Released
his song
"Honeycomb"
before
he even
signed
the
contract.
Q5. Little
Esther
Phillips
had her
first
hit for
Savoy
records
in 1950
at the
age of
15. After
severe
drug
problems,
she
recovered,
and was
rediscovered
in the
1960s.
Who
rediscovered
her, and
what was
her song
that
went to
#1 on
the
R&B
charts?
Q6. What
country
singer
has the
best run
of Top 3
C&W
songs
starting
in
1963?
Q7. Eddie
Hodges,
born in
1947,
started
his
acting
career
on
Broadway
in Music
Man in
1957. He
next
appeared
with
Frank
Sinatra
in Hole
in the
Head,
singing
“High
Hopes”
with him
in
1959. In
1961 and
1962, he
had a
Top 20
Billboard
charting
song
each
year. What
were
they,
and who
wrote
them?
Q8. Steve
Lawrence
was born
in 1935,
and had
his
first
hit in
1952,
but only
had one
#1 song
in his
career. What
was the
song?
Hope
to get
more
responses!
Keep
them
coming
in:
pictq@yahoo.com
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The
beginning
of
the
Nashville
Sound
.
.
.
GONE
.
.
.
the
fiddles,
banjos
and
steel
guitars.
Ferlin
Husky's
crossover
hit
"Gone"
(1957
#4
Billboard
100
and
#1
Billboard
Country/Western)
is
considered
to
be
the
song
that
inaugurated
the
era
called
the
Nashville
Sound.
He
first
recorded
the
song
in
1952
as
Terry
Preston
with
steel
guitar,
fiddles,
etc,
and
it
was
a
big
flop. In
1957
it
was
revamped
to
be
a
pop
bluesy
ballad
—
minus
the
fiddles
and
steel,
and
became
a
crossover
smash
hit. The
country/western
industry
underwent
a
drastic
change
in
the
following
years
with
Nashville
producers
and
session
musicians
adopting
this
style
of
country
western
music.
Ferlin
went
on
to
a
long
career
in
music,
comedy
and
film. As
Simon
Crum
he
performed
comedic
versions
of
various
hit
songs. He
continued
to
perform
into
the
1990s
when
health
problems
ended
his
performing
career.
He
died
on
March
17,
2011
at
age
85.
-
Thanks
to
Andy
Malkewicz
for
this
article.
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